It
was great to meet with so many people and good news to learn
that St.
Christopher's Hospice managed to raise over £200 from the auction
of three Chance handkerchief vases. These all appeared in the
book on page 106 and a letter of provenance will be
sent on to the winning bidder.
Thanks also to Denis, Dee and Sue, the fair organisers
– well done all and see you on 26th
October 2008!
The first domestic glassware produced by Chance was 'Orlak';
a range of heat-resistant ovenware and tableware designed
by Harold
Stabler, who was better known as part of Carter, Stabler & Adams
partnership, that later became Poole Pottery.
Some ovenware is identifiable as being octagonal-shaped
with recessed handles on the lid. The orange enamel decoration
on the example shown (right) is not generally
known.
Production started from 1929 to 1933 before Chance sold the rights
to Jobling, who were at this stage manufacturing Pyrex and probably
purchased Orlak purely to stifle the competition – whatever
the circumstances, Orlak never reappeared.
Chances' first foray into
tableware. Heat-resistant.
Pressed
Glass: 1934-53
Prior to Fiestware, Chance were major producers
of quality pressed domestic glassware
that including bowls, jugs and vases,
and were developed with intriguing
and exceptional optical characteristics.
Seven designs were created from 1934 and
these continued until 1953 in a variety
of shapes and styles, when the manufacturing
process proved uneconomical and
was ceased.
The predominant feature of Chance pressed
glass from this era is it's all
created from clear glass. Examples
shown in colour are actually enamel
sprayed onto clear glass.
The
Spiderweb pattern
drew inspiration
from lighthouses
Fiestaware:
1950-1981
With the advent of 2006, Chance's most
popular creation, Fiestaware,
has now reached 'Vintage' status
throughout the entire range!
Fiestaware was Chance's
most successful creation:
mass-produced glassware
for the domestic market that
stood the test of time over
a period of thirty years. This
glassware was produced flat-rolled
sheet
glass
with
decorative screen- and
transfer-prints applied prior
to it being formed
to shape,
by reheating and slumping.
Their most popular creations were from
the 'Fiestaware'
range that
eminent designers
like Michael Harris
and Margaret Casson
helped create, with the most
popular designs being Swirl
(1955 — see 50th
Anniversary page), Calypto
(1959, Harris) and Lace. One
well-known and highly collectable
pattern, is Casson's 'Night Sky' (1957).
Fiestaware was often finished
with a gilt rim, but this
is not always the case,
and while the
common dove-grey
(often called
white) screen
transfer on clear
glass is seen
as the norm,
in fact there
are many other
variations; for
example green,
black and
gold transfers
on clear glass
and gold transfers
on red glass can be found.
Additionally, Chance Brothers produced
a wide range of
'Crestware' (items
containing the
names of towns,
for example) and
a wide
range of 'Floral'
ware (produced
between c.1961-81).
The use of screen and transfer
printing as the design
medium had another advantage;
using regular production
lines for the glass blanks,
Chance could create
new designs quickly to
cover special commemorative
events like the
Queen's Silver
Wedding in 1977. The
commercial side was also
exploited successfully
and 'Adware' became a
popular way for salesman
to leave their
customers a permanent
reminder: more often
than not, this took
the shape of a dish/ashtray.
An
unusual serviette holder
in the familiar 'Swirl'
design
The
Anemone pattern was
the most popular
floral design
'Night
Sky',
as designed
by Margaret
Casson
Handkerchief
Vases
An entire subset of the Fiestaware range;
these vases represented a bewildering
array of sizes, patterns and
colours. If all these combinations
were used up, you'd probably be looking
at well over 500 different vases
to collect! However, we estimate
there are 'only'
around 100 different varieties.
All images on this site are copyright of
the site, ChanceGlass.net. If you
wish to use any image, please contact
us first!
All data on this site
is provisional until confirmed.
A
stack of Gingham
Posy Vases: red, burgundy
and the 'choc & cream'
models
Notes:
If you do use information from this site, it would
be nice to be acknowledged!
The absence of any pattern from this site does
not indicate rarity — it could just
mean another manufacturer made it...!
Avoid using the term 'RARE'.
Much of the less common items should be termed 'SCARCE'.
Very little Chance glass is truly rare.
About
Chance Brothers operated exclusively from Smethwick,
England, from 1824 until 1981 when flat glass production
was absorbed into the parent company's plant (Pilkington)
at St. Helens. Chance Brothers at one time were the
leading lighthouse, scientific and optical glass producers
in the world.